About

Since 2010, I have been actively engaged in the fields of music and sound, working as a composer, producer, and sound engineer. My work spans a broad stylistic range — from minimal, intimate pieces to complex and immersive sonic environments.

My contributions to film and television have been recognized internationally, earning the Best Soundtrack Award at FICMUS 2018 for Araucaria Araucana and Best Sound at the Top Indie Film Awards 2020 for Untimely. Other notable credits include The Majnoun and the Wind (2022) and No Smoking in Sarajevo (2016), among others.

As a solo artist under the moniker eport, I have released three full-length albums: Kernel Space (2024), Randomly Predictable (2020), and Translations (2015).

My musical foundation was shaped early on as a drummer in rock bands during my high school and university years, alongside Fine Arts studies in Valencia. I later explored electro-acoustic music during an academic exchange at Bauhaus Universität in Weimar and continued my formal training at the Conservatory of Bordeaux in 2006.

Over the years, my portfolio has expanded to include original music and sound production across various formats — including feature and short films, commercials, podcasts, and live performances. I have also collaborated in improvisational ensembles with artists such as Etienne Rolin and contributed to numerous studio recordings.

I currently lead Eport Studio, a creative hub specializing in original soundtracks, sound design, and post-production. The studio embodies my ongoing commitment to innovation and excellence in sonic storytelling.